L.A.Vate At Amiga

There was a really fun art opening/party at Amiga on Lincoln last Friday night, but life has been a bit nuts, so I'm only getting to tell you about it now. It was already a packed house by the time my friend and I strolled over to the great shop to see what was going down.

The Amigas (Sadie Gilliam and Nicole Reed) curated an excellent art show made up of other amigas y amigos that were all in the house on this fun night. Priscilla Witte, Pink Riches, Jason Adler, Monique Boileau, Erika Lane, Shannon Moss, Matt Branham, and the Netherworlds project all showed everyone what they got ... and it was good.

It's always fun to see the friends that you only mainly see on social media in real life, and I was extra happy to see my friends, Tara and Danny, in the flesh! They were there with their photography project "The Netherworlds", with a very cool underwater vibe that were my favorite works in the show. Dreamy.

There was live painting outside, there was live music (after I left - we still had to eat!), but above all, there were friends.

Having a great time in the neighborhood together ... AND it was also doing some good, as proceeds from the raffles went to It's On Us, a non-profit organization that works to help prevent sexual assault on school campuses. Which needs to happen, and we're happy to help.

I was just about to sneak out of our quest for food, when this piece by Shannon Moss caught my eye ... "The springtime is kind ... and brings you home."

That's kind of what I'd been feeling ... Spring is so beautiful and full of life, and it brings that feeling of home into your heart. Where you're from, but also where you have made your home ... and Venice is a pretty good one, especially with great people like this doing great things.

Thank you, Amigas!

The Art Of Gary Palmer - Depth And Magic

It's a rainy day in Venice, perfect for reflecting. And for writing about - and reading about - the meditative art of my friend, Gary Palmer. I first got to know Gary Palmer as a friendly Irishman who was also a regular at The French Market. Then I got to know his art. And then I wanted to know more, so after years of friendship and coffee (and one memorable champagne all day marathon) run-ins, we finally sat down to chat about his whole story and his art.

Palmer was born in Belfast in 1968, "When the troubles began." He attended a school that was a mix of Catholic and Protestant kids, which made him interested in what created peace and reconciliation. Art became a way for him to retreat into his own little world as an escape to a place where people weren't fighting. He was also fascinated by the street paintings he would see, that to him led to underground magical worlds, and saw those artists as local heroes. He kept winning art prizes throughout his school years, but didn't want to attend art school, because he didn't want to be told how to paint. So he studied theoretical physics at Edinburgh instead. And got a Masters in Architecture. No big deal.

A gig with an architect in Australia got Palmer even more into street paintings, and he began doing his own chalk art with a 3D perspective. He attended street art festivals all over the world, and following the sun led Palmer to Los Angeles. He published a book of his chalk art called A Carpet Of Dreams in the 90's, and kept attending festivals. His first studio was in Hollywood on Cahuenga, where he started doing paintings on canvas for a living, as people would walk by and want to buy the paintings off of the walls. It was his mother's dream to live in California, and soon Palmer's family joined him in L.A. He did some street painting in Venice, and "liked the vibe" here. When Bush Jr. took office, it freaked Palmer out so he took off for a six month meditation retreat in Mexico, and when he came back, Elwood Risk offered him his studio space in Venice. Palmer leaped at the chance, and was soon ensconced on Vernon in Venice, working on meditation paintings that incorporated his thoughts on gravity and physics, which "are tied to understanding nature."

Street painting adventures in Italy led to a trip to Africa from Malawi to Zanzibar, where Palmer enjoyed observing how diverse people can come together and all get along. This became a dominant theme and inspiration for Palmer, as he began to explore how different cultures interact with each other. Paintings feature such diverse subjects as Masai warriors and the Lacondon (Ancient Mayans who never cut their hair), as Palmer would travel to observe peaceful indigenous peoples living in harmony with nature. Narrative paintings with accompanying writings and abstract expressionism works make up his Memories of Zanzibar series (with a limited edition monograph "life diary" boxed set put out by Fathom Gallery).

Back in Venice, living on Flower and working on Sunset and Vernon, was a grand old time for Palmer, with music and art and parties and creative juices flowing ... until last year when he got the boot out of the artist studio building on Vernon due to massively increased rent (the sad and all too common story around Venice these days). Fortunately for Palmer, a friend was leaving Venice and offered her studio space right on the Boardwalk to him for an actually affordable (fair) price, and now he gets to work with an ocean view. Things have a way of working out sometimes.

More recently Palmer has been doing these great meditation pieces, that he says are "Saying something ABOUT nature, instead of being a picture of it. The meditation pieces reflect the breath." I dig that. "You get bored if you do the same thing all the time, you have to EXPLORE. You make a diary of your life, and even the installation is part of it." This makes sense then that after a relationship with a Japanese woman, Palmer is now doing abstract landscapes with sumi ink that you can view at the Tarryn Teresa Gallery. They remind me of the art where you blow the ink around with straws, so again you are reminded about the breath - and to take a moment to appreciate it and breathe.  During all of this creativity, Palmer is also at work on a book, On The Nature Of Nature - bringing him back to his physics roots. He's an impressive cat.

On Venice and its draw for artists, Palmer says, "There is a good tradition of art and painting, and the 'Space and Light Movement' here in Venice, with Ed Moses and Larry Bell ... people see different things here." A big sigh was exhaled while reminiscing about old Hal's and the Venice West stories. "That's part of the heart and soul of it all ... it's still here, but it's changed a lot. I'm nostalgic about it all. The next generation is all about tech, and the spirit of talking to each other at a bar is much less. But there's still a hell of a lot of positive, so I don't like to gripe." He still frequents the "pale shadow" of Hal's, because there is still the art and our people and jazz, and James Beach, the LA Louver, and The French Market remain his mainstays - and mine.

"There is a depth and a magic about the place. There are still nuggets of that here every day. An artist sent me a letter offering me her space just as I was about to move it to Inglewood! People see it differently. One person's idea of what it's about here is totally different than another's." And that's what keeps it interesting, I suppose. One very cool thing that Palmer is working on is to get an annual street art festival up and running in Venice. "Venice is crying out for a street art festival. It would be a nice way to bring the past into the present." To start out with a chalk art festival, and add the whole gamut, like tattoo artists, muralists, graffiti artists, all of them is the goal. "It's a bit more Venice to have ALL of the street art together." I'm all over it. Palmer has had a section of the Abbot Kinney Festival each year dedicated to a community mandala chalk art piece, and it's always one of the highlights of the day. They've been denied that space (?!?!) for the next one, as the want it for more commercial space. Blah.

Palmer mentioned that Hinano's approached him about maybe making it happen down on the Washington Square, and I can't think of anything more awesome, with all the chalk art and murals and everything extending all the way down to the end of the Venice Pier, with everyone working together on a big mandala in the circle part of it above the ocean waves below. And the Geobender can make sand ones alongside it!

I say that because the very day I interviewed Palmer, I walked down the beach afterword, and saw the sand mandala by Geobender there in the sand - more meditative art, and  another beautiful example of the depth and magic of the place! Kismet. Let's help get that festival going, but also continue to search for those special qualities of this place as an every day reality.

Like Gary Palmer does.

The March Venice Art Crawl - Celebrating Art And Women

The March edition of the Venice Art Crawl was held last night, and people were out in force, despite the blustery chill (for Venice). My Mom had just arrived to town, so got to experience her first V.A.C., and as this time around it was all concentrated in one area - Windward - it made it that much easier for us to get around. We got to chatting though, and thus, got a late crawl start and had to hustle just as much as usual. But it was worth it, as usual.

The Westside Wisemen were playing live music on the sidewalk in front of Hama Sushi, welcoming us to the proceedings from blocks away, and adding to the festive vibe in the streets. I think my favorite piece of the night was also on the sidewalk in front of Hama, this great beachy work by Sergio Padilla. Want it. 

I looked for Tonan's art stop, but didn't see it, so we zipped up to Surfside, as I'd been told that was the headquarters to get maps. The streets were full of art revelers, and a good time was being had by all. The art in the house was really great, as we were greeted right inside the door by the work of Ryan Patrick McGuire of Ink and Lumber. Real coolly framed photos and designs, the best one featuring Kurt Cobain. Dug it.

My homie Ray Rae was showcasing his gorgeous Venice photography there also, and holding down the information fort. Everyone should have a piece by Ray Rae.

Upstairs at Surfside there was a trip-out interactive hologram experience put on by Cody Nowak, an "AEC Disruptor". Mom got to put on the headset and check out little characters popping up around the room, like monkeys and unicorns and ballerinas floating around in space. This stuff is going to change the entire world of entertainment before we know it, and the art world is already feeling it.

I charged through Larry's to see the work of Molly Wiggins, David Downs, and Aisha Singleton, as well as the always great video installations of Olly Bell. People were digging it.

There was a special edition of Artists & Fleas going down in the parking lot of Great White, complete with a big VAC projection for good measure. DJ music added to the fun, and folks were grooving.

I had to race over to the Erwin Hotel in the middle of it all to see some of the wonderful women artists of Venice being honored for their work. As we're on Venice Standard Time, it didn't start on time, so I ran out to see more art while the got it ready. I'm glad I did, because Noah Gottlieb was showing his work on the sidewalk in front of the Bank Of Venice, and it was great. Like Realist meets Fantasy stuff ... from a local cat. Check him out.

Back at the Erwin, a bunch of us squeezed into a tiny room, where Mike Bonin, George Francisco, and Sunny Bak gave plaques and certificates to the eight women artists of Venice being celebrated appropriately in International Women's Month. Judy Baca, Joelle Dumas, Emily Winters, and Meryl Lebowitz were there to accept their awards and be applauded, while Jules Muck, Jean Edelstein, Christina Angelina, and Lucy Walker were no-shows.

It was great and touching to toast these trailblazers, as women who have helped to shape the Venice art scene ... some for decades, some bursting out more recently. Treasures all.

The ceremony took a while, so I wound up missing a bunch of art, but that's how it goes. I hit up Gotta Have It, whose crowd was spilling out on to the sidewalks as a live band tore it up inside the packed and awesome vintage store.

In a mad dash to see as much as I could, I race-walked down the street to Solé Bicycles, where they had already packed up, but I hopped into the truck of Flewnt to check out his cool Venice-centric work. I had missed the music and the gumbo, but it was still cool.

I took off back toward Windward to see what else I could see that was still happening, and that's when I heard a gun shot and saw people running. Again in front of Surfside. WHAT is going on?! ENOUGH with the guns, People. So sick of it, and what a damper on what had been a wonderful night of celebrating Venice art. Geez. The interesting thing was that it didn't seem like people were all that phased. One dude got shot in the arm, and then people kept on partying under the shadow of the "O'Venice" sign, lit up green for St. Patrick's Day.

And that's a good thing. We can't let the terrorists win - and that's exactly what gun-toting hotheads are. Sorry to any artists I didn't get to see, but ceremonies and shootings sometimes prohibit getting around to everything. I hope everyone has an excellent weekend, stays safe, and continues to create and appreciate art. It's what makes Venice go around. THANKS once again to the great organizers of the V.A.C. for another fantastic time - guns and all. Love you.

Before They Go - A Venice Group Art Show

Last Saturday night was Very Venice, as we celebrated the arts and culture of Venice all night long.

The evening began with a little soirée at Beyond Baroque to toast our venerable literary institution on its 50 years of existence. We're so lucky to still have a place to host such a comprehensive book store and performance facility that celebrates the history - and the contemporary torch bearers - of the Venice Beats - and Friends. It's a true gem.

I got there a little late to hear the program, but glasses were clinked, and we got pretty much everyone there to follow us over to The Hangär (not sure why there's an umlaud) on Centinela to take in the opening of the Before They Go group art show featuring the work of Venice artists, and photographs of them all in their studios in the impressive project from Debbie Zeitman.

You might have seen some of these photographs on the wall at Wabi Sabi the past couple of months, showing our beloved Venice artists in their studios, well ... before they go. Several of the featured artists have lost their studio spaces in Venice due to the astronomical - and exceedingly greedy - rents pricing them out. This night was to acknowledge them all, and to appreciate what we still have, while it lasts - and to ensure that it always does. Venice is meant to be about the art, and this show puts an exclamation point on that truism. In addition to featuring artists that are gone, leaving, still hanging in there by their claws, or thriving and fortunate, some of the work also featured Venice places that are gone, like the Venice Beach Laundry piece from Taylor Barnes (the one that was next to Whole Foods).

There was a great turn-out of artists and the people who love them. Wine flowed, introductions were made, and so were friends. The art was displayed around in little vignettes within the antique/ furniture store there on the corner of Centinela and Palms. It was a smart venue, because you could picture how a piece would look in your own home, as well as it offering ample seating for the many conversations going on around the room.

The diversity of the works were beautiful reflections of the Venice art community itself, and there really is something for everyone. You might be into wildlife, and there was a piece featuring Wise Wolves by Marty Katon for you. It was accompanied by a picture of Katon and a blurb telling about him and his art, as there was for almost all of the artists. I learned a lot about our resident artists that I didn't know before, and it's worth the cruise over to Centinela for the stories alone. Except there's also so much good art as well!

There was an almost photographic painting of artist Peter Lodato by Kenny Harris, that captured the legend perfectly. I wanted to cheers him.

Trek Thunder Kelly was represented with his piece Control Alt-Right Delete, a protest poster that gets right to the point. As ever, our artists are taking the clay of the world and shaping it with their own views, without flinching.

There were a few that would be good companion pieces in the same room, creating fine ocean views wherever you may be. I loved MB Boissonnault's The Long Winter ... and I bet some people are feeling like that right now ...

Google Earth by Jason Marello was another beachy piece that brought you an aerial view of  Venice (also a home to Google) ...

 ...  and the String Field Series by Gary Palmer was also in the vein of water and meditation that added a sense of calm to the bustling venue.

Flavio Biscotti was represented with his piece Monumento, and it looked right at home in its own still-life with lamp and vase - all also for sale.

Rohitash Rao shared his art - and wit - with his piece calling everyone out for always being on their dang phones, When He Finally Looked Up. Zing! Be on the lookout for Rao's upcoming show at Google featuring his fake album cover works. Cannot wait.

Sunny Bak shared her iconic photos of The Beastie Boys, and was there in the house representing.

There are so many artists in the show (29!) that there is still plenty for you to go see that is not picture here, in multiple rooms, while the show is up at The Hangär for the month of March. I think maybe the most legit Venice piece came from Tonan Ruiz, with his Surf Culture - mixed media on a palm frond! It's a diorama of basically what it feels like to be in Venice at the beach. Love it.

Like Beyond Baroque, this show was extra-great mainly for its celebration of the art and culture of Venice, and for its zoom lens on the importance of the arts in our community. To know the actual stories and see the photographs of the artists working in their own studio environments (while they still had/have them) is to truly appreciate what they and their art mean to this place. Sincere and heartfelt congratulations to Debbie Zeitman and Barbara Lavery for this impressive assembling of the current arts and artists of Venice. Thank you.

Before They Go is up through March.

The Hangär
3472 South Centinela
90066


*Shout out to The Rustic Kitchen on Centinela too, for your great food and warm hospitality shown to our rowdy bunch of art hooligans. Thanks!

Venice Loses Ed Moses

Two days after an opening of new works at the Runway Gallery next to Hal's in Playa Vista, Venice is mourning the loss of legendary artist, Ed Moses. I regret that I missed that opening, and the chance to celebrate this founding member of the "Cool School" of art one more time.

                                                                                                                 Portrait: Kwaku Alston

There was a massive Moses At 90 retrospective featuring decades of Moses' art a couple of years ago at Bergamot Station that was packed to the rafters, as everyone marveled at how very prolific Moses was, even at 91 years old.

The L.A. Times ran a comprehensive article on the life and career of Moses yesterday that will tell you everything you need to know about his history, but all of Venice will miss just seeing him around with that ever-present twinkle in his eye. A notorious flirt, one could always count on Moses for a good bon mot or story. The old Hal's was always good for a Moses sighting, as he held court there often - usually under one of his massive pieces that the main wall was always reserved for. I remember him saying at an anniversary celebration for Hal's at Electric Lodge that "Hal's has B+ food, which I like, because I can always get a table." Everyone cracked up, mainly because Moses would never have a problem getting a table at Hal's - or anywhere.

His loss has left a gaping hole in the art world, and in Venice, but the beautiful thing is that his wonderful work will live on forever.

Deepest sympathy and love to all who loved Mr. Ed Moses. He was one of a kind.

Tom Everhart - Waves And Bubble Baths

If you were in Beverly Hills last Saturday night, you may have thought you were in Venice. So many Venice friends made the trip east of the 405 for Tom Everhart's art opening at the Mouche Gallery that I heard someone say "I feel like I'm at Abbot's Habit." It really was pretty funny, as everywhere you looked there was either a Venice person or a friend of a Venice person. It was awesome.

Waves and Bubble Baths (showing at the Mouche until December 11th) is new works from Everhart, over 150 pieces all based on a drawing of a wave done by Charles Schulz in 1991 for his comic strip. The Snoopy character shows up in each piece, to show scale, and all pay direct tribute to that Shulz wave, but also to the various inspirations that have been important to Everhart in his long career. The bubble baths refer to the various bubbles Everhart dwells in as he works, like his Venice studio, his relationship with Schulz, his studio in Tahiti ... and the bubble we live in here in Venice (Thank God).

There are tips of the hat to such diverse luminaries as Snoop Dogg, Ice Cube, Jean Michel Basquiat, Andy Warhol, Keith Haring, Missy Elliot, Biggie Smalls, Frank Stella, and Venice, California - of course.

The champagne flowed as friends caught up and congratulated Everhart and his muse/wife, Jennifer. Venice cleaned up nicely, as the ladies were hot and the gents were dapper. It would have been great to have turned it into an all night lock-in, to give everyone the chance to chat, as there were so many old friends present that it was hard to even just greet them all, never mind hear all of their latest. We need a sequel/closing party!

The new work was gorgeous, with the bright colors of Everhart's palette providing excellent selfie backgrounds for those that take those. I noticed some new color schemes in there too, as in the blacks and golds of Snoop Dogg's Sound Wave, and the pinks, purples, and golds of the beautifully abstract Andy's Tsunami. All of Everhart's work is fun to observe, and it gets even better when you know the meanings behind it. Do read the artist's written piece about the show here. It provides wonderful insight into the making of this art that had us all in Beverly Hills celebrating with our friend.

Cheers to Tom and Jenny! Thank you for the art, thank you for the fun!



Tom Everhart - Waves and Bubble Baths
Mouche Gallery
340 North Beverly Drive
Beverly Hills, CA 90210
info@mouchegallery.com