Return To Venice! A Love Letter.

Four years ago today I was the Neptune Queen of Venice. It was the happiest, brightest, best day of Summer ever ... and a week later, everything unraveled. My landlord jacked up the rent so high it was not possible, and I began a year of house sitting and couch surfing while trying desperately to stay in Venice, my home of 25 years. I got supremely ghosted by someone I loved. Then my beloved Mom got a bone infection in her toe, and I flew home to help her through it, putting my stuff into storage at 4th and Rose - thinking I'd be back in a few weeks. Then Mom's leg had to be amputated. Then the home where she was to live had a staff member that broke Mom's shoulder, so I had to get her out of there, signing up to be her caregiver myself. Then the pandemic hit. Then my brother who lives with my Mom had three strokes. Then George Floyd was murdered by the police here in Minneapolis ... and then we all got vaccinated and it was finally time for my return to Venice. After all the stories I had heard over the past year, I was nervous as to what state I might find my cherished chosen home town to be in, and had to see for myself. 

What I found was that yes, there were a LOT of changes. Many of my favorite places (The French Market!) have closed, some not to return. There are a LOT more homeless, but honestly, that's everywhere, not just Venice. It might seem terrible at the beach, but take a drive through Hollywood. It's a living nightmare. Look at the freeway exit ramps in Minneapolis in the middle of winter. I don't blame people for getting to the beach if they're homeless - wouldn't you? We're all in this together - a very important reminder.

There was rumors and realities of terrible violence, but that's always been the case in Venice, but I didn't see or feel or hear of any during my two weeks back, thankfully. And in many ways, it felt like I never left - we all just picked up where we left off before the pandemic! But most importantly, the SPIRIT of Venice and its COMMUNITY, are still very much intact - if you know where to look for it. And I do.

 

I always start at the beach. I dove right into the frigid Pacific water, that I had missed so very much. My skin drying off from saltwater in the sunshine is possibly my favorite feeling in life, and I got a lot of it. It was fitting that I was met with a big heart of rose petals right in front of where I have always spent my time on the sand, what we call Playa de Los Amigos. Heaven. 

The next stop is always the Skatepark, because it's the centerpiece of the entire Boardwalk - and I love it. There is always good skating to watch, and almost always a friendly face from the neighborhood. 

When I first arrived, the entire area of the Boardwalk from the Skatepark all the way north was one big homeless encampment. By the time I left it was mostly cleaned up. I don't know what happened in between, and I hope there was compassion and empathy involved - because that is one big thing I saw lacking. There is a lot of fighting and complaining by some Venetians, but very few solutions being offered by those griping. 

The VNC Election was happening while I was there ... and that was kind of ugly too. I'm very disappointed that Jim Murez was elected President, as I have yet to hear empathy or compassion from him in all the years that I've known him. Let's all hope that this position will help him find that part of himself within, because otherwise I don't see much harmony on deck for Venice. Everyone needs to make sure it's not just about those with property value concerns over People. I was also very disappointed that Sergio Perez from Great Western Hoagies didn't get in, because you don't get much more local or more awesome than him. But good for Mike Bravo, Jim Robb, and Alley Bean! We need people that CARE in leadership, and not just about their property values, but the COMMUNITY - which includes EVERYONE. 

The beach is a good place to start not only for the water, but for the art and entertainment as well. There weren't as many street performers out down there, but murals everywhere, starting with the updated Starry Night by Rip Cronk. Beautiful! (Leave it alone, taggers!) ...

There were two by Jules Muck honoring luminaries from Venice's past, like Arthur L. Reese, the first Black resident of Venice, known as "The Wizard of Venice" for his inventions and decorations - like floats for Venice Mardi Gras! He sounded like a great time. 

Right next to that is another Muck piece, featuring early Venice residents, Charlie Chaplin, Clara Bow, and Abbot Kinney himself. There is so much history in Venice, all of which will be celebrated in the new Venice Heritage Museum - coming soon! 

 

A short stroll down the Boardwalk and you'll see a tribute to Kobe and Gigi Bryant - a loss that is still hard to believe, especially because I wasn't in L.A. at the time when it happened. Simply tragic. 

Also tragic was the murder of George Floyd in Minneapolis. I had heard about the solidarity marches and support in Venice, and it was great to see images of George Floyd all the way across the country in the town that I love. Thank you! (and his filthy murderer Chauvin was just convicted for 22.5 years! Change begins now.)

Shepard Fairey has a new one on Pacific letting you know that PATIENTS HAVE RIGHTS. I've been entangled in our broken healthcare system for going on two years now, and it is a serious battle every single day. It SUCKS, and needs to be moved to the top of America's problem list - with the CLIMATE (Remember that? It does). 

Hampton Drive had a fantastic new piece celebrating all things Venice, and I love everything about it. The color palette, the images, the spirit! 

From Venice's long history of resistance (never needed more than today!) to Muscle Beach and regular beach people, to tigers and lifeguard towers and ice cream - it's simply wonderful. 

There's a great new mural over at Hoagie's too, and the day I saw it was the day Hecho En Venice had a booth set up in front of it and Oscar was the perfect photo subject to capture it with! 

The parking lot that runs behind Abbot Kinney is full of murals always, and I really dug the new one of Stevie Nicks back there. 

The rainbow crosswalk isn't really a mural, but it is really Venice. 

You can see art just walking the regular streets of Venice, like this happy rainbow wall.  

My favorite part of walking or biking around Venice is always the people that make the place. One smile from Fred at the Gonzo Africa Rasta booth at the beach will make your whole day. 

I had so many happy reunions I don't know where to start, but one of the most important ones was with my great friend Beckett, who has a bunch of new teeth since I saw him last! We were stoked. 

On my third night back there was a music night at The Penmar, the new venue at the Penmar Golf Course. I got my pals Paul Chesne and Lacey Cowden to join Blue Eyed Son and The Coastal Folk for a night of live music FINALLY, and it was simply the best. I got to see SO many friends all at once - without masks - and it was a true highlight of my return. Thank you to everyone there! 

Hinano's was, of course, one of my first (and last!) stops, and it was so good to grab an exceptional burger, a frosty beer (they were out of Red Stripe though, what?!), and especially a hug from my pal, Melissa! 

It was a blast to be just walking along a street and run into someone I adored that didn't even know I was back. It happened a lot, and was a boost to the soul each time - like when I randomly ran into my old pal and Skateboard Hall of Famer Ray Flores! Awesome. 

 

The beach is sincerely holy to me - my Church, really - and I need as much time there as possible. It is truly healing for me, and I miss it deeply every day that I can't just walk to it. What a life giver! 

The beach and ocean are the focus of nature for me in Venice, but natural beauty is also everywhere. I was so happy that I didn't miss the jacarandas this year! I came from purple lilacs in Minnesota and was met by the purple rain of jacaranda blossoms in Venice. Thankful! 

The community garden at Beyond Baroque is thriving, and was a lovely spot to sit and take it all in for a moment. 

 

 

The Venice Canals are as gorgeous as ever (if a little low!). A walk through the canals is always beautiful, peaceful, and transformative ... as well as aspirational for me. It is my dream location to live one day, if not right on the beach.

I missed Venice sunsets so much. The free show every night was one of my favorite things to stop and appreciate and be grateful for. You come to realize that they're beautiful everywhere - just different. It's really more about the people that you spend them with ... and I try to view them with people I love whenever I look, so it's still been lovely. Just not Venice. 

 

The creative spirit is what initially drew me to Venice, and it remains everywhere. Not just in the arts, but in the hearts, minds, and souls of its people. When the pandemic hit, people were still able to gather, because Venice folks thought up The Music Box - an actual box that performers get in to play music out on the sand (where all could be safe and distanced and still enjoy each other and the entertainment). I got to go on my last night in town, and it was exactly what I needed to sustain me until I'm back full time. Sunset, music, ocean waves on background vocals, and most importantly, FRIENDS. I just loved loved loved it. (and it's TONIGHT if you're in Venice!)

Time with my friends that are my family was the very best part of this return trip that FLEW by waaaaaay too fast, People! Phone calls and Facetimes and Zooms and texts and snail mail and everything is great, but to hug someone and look into their eyes as they well up with happiness to be back in each others' arms was an absolute elixir for my soul, one that I have carried with me through all the craziness that ensued the moment I got back to Minneapolis. I love my friends! 

The Ladies! (Christina, Steph, Lacey, Mandy)

Deb!

Jenny! (Thank you for letting me stay at your pad!)

 Erinn!

Paddy and Lacey! 

Suzy Williams! 

Karen!

Tonan!

Brigette! 

James and Danny! (Thank you for the excellent farewell Drag Brunch!)

Rebekah! (Thank you for letting me stay in the Shack!)

And so many more that I saw and didn't get photos with ... and that I sadly didn't see because the time went too fast (or they just didn't try!) that I love but will have to see in the future. But ALL of Venice, please know this. I'll be back ... and YOU ARE LOVED. 

ALWAYS. XOXO, Your CJ


 

 

Designs For Different Futures at The Walker Art Center - Anything Is Possible

My two favorite social distancing activities are nature and art, and luckily, there are ample opportunities to partake in both here in The Twin Cities, where I have been riding out the pandemic. The Walker Art Center has put up a new exhibition called Designs For Different Futures, that is an especially great show for these times, as we have to figure out new solutions for going forward in this world. Have. To.

The artists at The Walker are full of good design ideas, so many that I dared to start having a little bit of hope for the future again. There was a disembodied female voice from future narrating things in the background, lending it all a bit of a 2001: A Space Odyssey vibe. In fact, the first piece we saw even looked like a little spaceship (there were little projections inside).

In these Covid times, it makes a lot of sense to have a graphic on the floor instructing one how to assess the risk of a handshake. Comical, but also deadly serious - especially when there's a jackass president who lies about the risks. K, moving on ... 

I was very excited to see the Svalbard Global Seed Vault model on display, as I've been following this project since its inception in 2008. Designed by Architect, Peter W. Soderman, the Svalbard Seed Vault houses seeds from around the world deep in a massive, futuristic space deep within a fjord. 

The vault is like a giant seed library, with countries sending inn their native seeds in the event that a natural or man-made disaster would render a crop extinct ... they've now got backup here in Norway. (Of course, they thought it was invincible, but the vault has already been breached due to the ongoing Climage Crisis. Please CARE!!!) It's all pretty smart. Pretty cool.

One of the things I LOVED, but that you can't really see is the Future Library, 2014-2114 by Katie Paterson. Norway has a lot of cool things going on, because Paterson's library is there too. She planted 1,000 spruce saplings outside of Oslo. In 100 years, they will be felled to make paper to print books that are being written for the library, one per year by 100 different authors ... and most of us will not be around to read them (Frankly, I'll be surprised if anyone is around due to the Climate Crisis that we're really doing nothing of consequence about, very sadly). The first new book is by Margaret Atwood, of The Handmaid's Tale fame, sending her manuscript off into the future. I'm madly in love with this idea ... and trying to figure out how to read any of them!

 

Perspire, 2018 by Alice Potts shows ballet slippers soaked in human sweat that has crystallized and been dyed with red cabbage. Crazy. This is an attempt to show how in the future our accessories and clothing will be highly personalized ... or something like that. It looked cool. 

Looking even cooler was my favorite part of this exhibit, which was a series of dresses made from either 3D Printing or seaweed ... all materials that will definitely be in play going forward in our world, as our current fashion practices are simply not sustainable. My very favorite piece in the entire show (that opens this story above) was the show-stopping Syntopia Finale Dress, 2018 by Iris van Herpen. Vogue described van Herpen as "Fashion's chief scientist and perhaps also its leading futurist," and that surely shows in this jaw-dropping creation. It says that she based the pattern for the laser-cute stainless steel and black silk dress on the soundwaves of birds in flight, and that's all I had to hear. LOVE IT WITH MY WHOLE HEART. And want to wear it so bad. To something. Anything. Cheers to you, Iris van Herpen! 

Also spectacular, though much more earthy, is the Kombukamui Dress, 2018 by Julie Lohmann - made from seaweed and rattan! She liked how seaweed gets big and leathery when wet, and a totally different character when it dries ... and sees seaweed as a ton of design possibilities for the future. 

 

 

There was a really cool piece called In Plain Sight, 2018 that tracked the use of electricity around the world ... and how inequality around the globe affects peoples' access to it. The number one thing people need more of today is empathy. All the bad things happening now would be so much better if people could only find their empathy. This screen really drove that home to me yet again. 

 

There was an enormous bulbous sphere in that same room called Another Generosity, 2018 that changed colors and kind of seemed to breathe. It's filled with water and air (the main - highly endangered - elements of life on Earth, that reacts to tiny changes in its environment - much like our real Earth does, and why we need to be so  much more gentle with it. Please. 

I can't remember what this went with or who did it, but I agree with pretty much every statement within:

             

There was a Republic of Estonia e-Residency Kit, 2014 by the Republic of Estonia. In 2014, the little country introduced the concept of e-Residency, offering anyone the opportunity to be an e-resident. It doesn't grant tax residency or citizenship, but it does let you conduct business and use their public services, etc. Borders fall away (all man-made anyway, so I don't really believe in them), enabling a free flow of ideas and resources. Pretty cool. 

Similarly, Infinite Passports, 2014-2017 by Giuditta Vendrame and Fiona du Mesnildot proposes a system where members could exchange passports temporarily, as well as their geopolitical status. This would allow people to migrate about freely without permission from any government. I'm down with that.

  

The Handmaid's Tale red gown featured prominently in the middle of the gallery suggested an eerie future - especially if this joke of a Supreme Court nominee gets confirmed. It's about design for the future ... but I don't want any part of that kind of future - and it's up to all of us to prevent it. I feel sick just thinking about it  ... 

There was an area devoted to accessibility in the future, featuring the PhoeniX Exoskeleton, 2011-2017 by Homayoon Kazerooni. It's designed to give people with mobility disabilities and spinal cord injuries the ability to walk on their own. Activist Ace Ratcliff was quoted about it, saying, "A utopia is not a world where disability is a problem that's been solved; rather, it's an inevitable expression of genetic variance, and disabled humans are not just welcomed, but fully included." Now ... that's a great statement, but the irony was that my Mom and I got stuck in the tiny closet of a handicapped lift that brings you to this level, for like 15 long minutes, as the staff scrambled to get us out. It was broken, and we couldn't get out, so had to go back up to get out there (Thank God). Mom was therefore unable to access this level of the museum and was never able to see these works that were really interesting for her, having lost her leg and being disabled herself. I'm thinking the Walker should maybe invite her back for free now ... because she didn't get to see this cool prosthetic leg of the future! 

Stance, 2016 by Leslie Speer, Anthony Ta, Brendan Ngo, and Darren Manuel was made from saddle leather, fiberglass, skateboard deck (!), maple veneer, and silicon. It can be adapted to the growth of its user over time (COOL - because we just came from another leg fitting for Mom and it's a major hassle!). It uses regional materials, so its parts can be customized and assembled locally for less than $40! That would also be cool as Mom's new one will be upwards of $1,800 - that insurance will not pay. UNBELIEVABLE still how bad our country's healthcare system is, It really is, and must be reformed. Moving on ... 

 

... to Stranger Visions, 2012-2013 by Heather Dewey-Hagborg. This work addresses genetic surveillance and the ethics of accessing another person's genetic information without their knowledge. Dewey-Hagborg collected chewed up chewing gum from around New York City, and worked with a lab to extract the DNA. In a process called "Phenotyping", she took their genetic information to make portraits of what the person who chewed the gum most likely looked like. TRIPPY. It was very Game Of Thrones Man with No Face-y. 

There was so much to see, and you'll want to see it, as I've included very little of the entire show here. There are other great exhibits happening at The Walker now as well, like Don't Let This Be Easy, celebrating the work of women artists and feminism (The Walker does a great job of being socially timely). All of the works were great, but I was really struck by this file cabinet with shirts in it, saying things like, "One of the ways people hurt me is ...". Please just trust me that you want to see this whole room for yourself. 

You have to love the Selection from Don't Look Back, 1999 by Fiona Banner from the permanent collection. Banner has screenprinted transcripts from the classic Bob Dylan documentary, and it's great as a whole ... 

... and then fun to zoom in on to remember that part of the movie and how cool it was. Is. Again, there is SO much to see and our time was running out, so I urge you to go and explore for yourselves, as it's a really good social distancing activity, as we crossed paths with very few other people in the galleries. 

Racing by a few walls from the permanent collection, I was delighted to see a piece (I Got A Job To Do, 2003) from our Venice, California friend (and Cali Loco!) Llyn Foulkes! That made my heart happy, as I've been missing Venice SO much, and it's nice to see a little part of it even here in the North. 

There is also an exhibit of Jasper Johns prints from 1960-2018. Our favorite from An Art Of Changes was his Flags, 1965. It had one of those optical illusion games, where you stare at the white dot on the flag for 15 seconds and then look at the plain gray panel and you can still see the flag there in your tripping out retinas. 

That coolness was a great finale for our wonderful day at The Walker. It gave us a lot to think about as we go forward in this world, and it was a little reassuring that there are such smart, creative, talented people hard at work around the globe making designs for all of the different future possibilities we may face.

I've said it many times before, but art that makes you stop and think about ways to make our current world better is the very best kind. And this show is full of that. Please go, please think, and please enjoy! 

Walker Art Center 

Designs For Different Futures

September 12, 2020 - April 11, 2021