Showing posts with label Jimi Hendrix. Show all posts
Showing posts with label Jimi Hendrix. Show all posts

Thursday, January 24, 2019

The 2019 L.A. Art Show - Massive!

One of my favorite parties of the year was held last night at the L.A. Convention Center, where the kickoff party for the L.A. Art Show opening went down. We took the train and got there late, as usual, so we had our work cut out for us if we wanted to see even a fraction of the huge amount of art that is on display this weekend. MASSIVE amounts of art. You belong here.


We've learned our lesson in years past, and skipped the long lines for drinks that gobble up all your art viewing time, and the food is always gone by the time we get there (we always end up getting street dogs after), so this night was all about the art. And the very excellent people watching that always happens during this opening party - SO good. This is L.A. after all, so there are all sorts of creative artist types walking around, and it's as fun to see as all of the art.


The massive hall is kind of split up into more contemporary/cool art on one side, and the more corporate/law office type of art on the other. There was so much art that when I split up from my brother in the interest of dividing and conquering and seeing the most art in our limited time, when we compared notes later we had almost no overlapping. I hadn't even seen several of his favorite works, and vice versa. It's a LOT to take in, and probably warrants a trip back downtown this weekend to see the things I missed.


The highlight for me (and everyone, I think) is always the Littletopia section, curated by my friends at the Red Truck Gallery from New Orleans.


My favorite art of the entire show is pretty much always pieces from Red Truck, and last night was no different. There were china dishes with irreverent messages ...


There was even a diorama of Jumbo's Clown Room!


I always enjoy catching up with Red Truck owner, Noah Antieau, who told me that they've also opened up a Red Truck Bar in the French Quarter, so now there's even more incentive to get back to the Crescent City and see all of their cool art in person at the source, and throw back a few cocktails with this great bunch of art lovers. Awesome.


There are always crowd pleasers at this show, that you can detect from the crowds of people gathering around to take photos. One of the big ones this year was a prism thing that created infinite angles when you looked inside of it, the Portal Icosahedron, by Anthony James. It was trippy and reminded of my brother Paul's paintings.


A lot of art these days is about its attractiveness for selfies, sadly, and I stopped to look at the great work by Adah Glenn, particularly a work that said "Trust The Process". Great message. On another wall of her booth, there was a piece that said, "Black Girl Magic", with a gorgeous, fancily dressed black girl taking her photo in front of it. Glenn was happy that her work is popular for that, but at the same time wondered if her real message gets lost in the quest for likes. Interesting to consider. Hey, trust the process, right?


There was plenty of performance art this year, and another crowd gathered around a purple painted woman rolling around on the floor with laundry, underneath hula-hoops also strewn with laundry. Sarah Trouche's You Should Wear Your Revolution was meant to symbolize women's emancipation in the tradition of the French movement of "Sans Culottes" - basically "without drawers". Word.


There was an interactive rainforest made from paper that involved all the senses, and even featured Smellavision. When you stuck your head in the little holes that featured butterfly vignettes and things, it smelled like Febreeze or something - or what I like to call "Eau de Lyft Ride". The message was to save nature though, and I'm all for that.


Also on that tip was the lovely (and one of my favorites) work by Cha, Yun Sook, her beautiful Homage To Nature. It was stunning, and it was a delight to meet the artist, who also made her matching outfit. Loved it.


Another favorite was The Lady Of Arlington, 2018 by Mike Stilkey. It was a portrait of a woman done completely on used books. Fantastic!


If you know me, you know I LOVED Prince, by Craig Alan. It was a portrait of Prince, made up of a whole bunch of tiny people.


If you zoomed in, you could see that all the tiny people were different ... like one in a wheelchair, one with a dog, etc. All combining to make the iconic face of our beloved Prince. Wow.


Another kind of performance art/art piece was by Kate Groobey, with her Places Unknown, 2017. It had a work of art on the wall, that the artist then brought to life by dressing in a costume like the piece ... pretty cool.


David Hockney was representing L.A. for the art show, and was showing a gorgeous screen in his classic style that we all wanted for our homes ... Caribbean Tea Time, 1987. The color and style are pure Los Angeles, and it was nice to see this more main stream artist there among all the rest of it.


Not remotely in the main stream was the performance piece by Dorian Wood, Nodrissx/Narcissx. This work won hands-down for the most out there situation of the evening. There was a dark room with a big Pan's Labyrinth meets Saw looking character wrapped in gauze with a hole for its nipple, intoning monk-like chants with a man-servant type guy sitting there. My friend said, "Why are there so many wet wipes scattered around?" Well, we soon found out why ...


The sign explaining the piece invited viewers to come forward and kneel to suckle at the breast protruding from the hole, and to "feed on the artist's breast for as long as they choose." What. The. Hell?! I guess the point was to challenge the artist/audience separation, but I was not down. We saw no takers for the suckling, but I heard later that artist Gary Baseman had a suck. No, gracias.


The past several years of the L.A. Art Show have always featured a hyper-realistic head sculpture by Kazuhiro Tsuji, and this year's marvel is Jimi Hendrix! It's too crazy how these things look so real, from every angle. Another highlight in a year full of highlights, too many to even see in one outing.


The loudspeaker guy was chiming in to kick everyone out while we still raced about trying to see more and find more friends before we got the boot. Near the front entrance where we were all meeting back up, there was a great neon sign, giving encouragement to all artists and those who love them ...


Everything you need is inside you (I believe a Burning Man installation, by Olivia Steele). I love that, and once again left the L.A. Art Show opening with a spring of inspiration and happiness in my step. I encourage one and all to get down to the L.A. Convention Center this weekend to take it all in. You will leave feeling better about the whole world, knowing that there is so much creativity and talent still in it. Art Saves, and we need it now more than ever.

L.A. Art Show 
L.A. Convention Center
January 23-27, 2019
11 am - 7 pm











































Friday, July 27, 2012

Leon Hendrix Reading at Small World Books

It was one of those nights when there's just too much going on, and you have to make some choices. I was cool to juggle some stuff, but what I knew I did not want to miss was Leon Hendrix reading from his new book, Jimi Hendrix - A Brother's Story at Small World Books on the Venice Boardwalk last night. I raced over there before the sun even set, and found myself a chair in the little back area of my very favorite book store. Mr. Hendrix was still at The Sidewalk Cafe next door, having a little happy hour, so it was very relaxed and no rush ... appropriate for the location, for sure.

I chatted with some local folks I know, and then Leon Hendrix walked up, held out his hand and asked my name. In his silky black shirt and lots of jewelry, he was pretty smooth at 64. Maybe even more so by his clear groove, as I gleaned from the aroma that there had been a recent sharing of a j on the Boardwalk prior to his entrance. Smooth.


It was standing room only left as Hendrix proclaimed that this was his very first book reading and signing ever! Here in Venice ... I love that. He got right to it and read a passage from a chapter called "Vagabond Gypsy Boys". It felt like he was more comfortable just talking and sharing anecdotes than exactly reading from the book. This turned out to be a treat, as he said that some of the stories he shared weren't in the book, so bonus. Jimi was always called "Buster" as a boy, we were told, as his real name was Johnny Alan Hendrix, but Johnny was the name of their Mom's new boyfriend, so their Dad made him change his name to Jimmy Marshall Hendrix. He couldn't get used to that, so he made everyone call him "Buster", after the Flash Gordon actor he loved, Buster Crabbe. Buster!


Hendrix spoke about how he and Jimi ate horse meat hamburgers and they were the best in the world, and it's a shame you can't get them anymore. He said that Jimi played music with Tommy Chong ("Who had a band before his pot career ..."), and that his first gig ever was with Ray Charles, because at 16, he was the best guitarist in Seattle for the job. That his first recording job ever was some striptease music for Jayne Mansfield in Louisiana.

Someone asked what books Jimi liked or was influenced by, and Leon said he'd never seen Jimi read a book ... "He just seemed to know that stuff already".  The whole time he was talking, you could really see in him a little kid that deeply looked up to and missed his big brother. He seemed happy and haunted at the same time, if that makes sense.


Someone else asked if it was true that Jimi started out playing on a broom. This was true, but more as an air guitar play thing that he'd sing along to. He first PLAYED on a ukulele from someone's garage sale that had only one string. He found he could make different sounds by loosening or tightening the tuner on that one string, and that was how he learned to bend each string to do so, so much.

He was a leftie, and his Dad thought left handedness was from the Devil ..."Which was funny, considering he had 6 fingers!" That was laugh out loud. He went on to say that Dad would tie string around his extra appendage until it would shrivel up and fall off after tightening it for about 6 months ... but then they would grow back!! Freak out. Jimi and Leon would wait until their Dad fell asleep drunk and bring in the neighbor kids to terrify them with the extra fingers on their Dad. While funny, I almost wish I didn't know this stuff existed. Shivvvvvvvver.  ANYway ... when Dad would come in, Jimi would flip the guitar over to play right handed so he wouldn't get yelled at for being the Devil. So he could play left, right, upside down, backwards ... "He was a genius," Leon said, with a shrug of pure fact.

He read one more small paragraph, squinting without his glasses ("This guy didn't write the book good.") and then shut it and said, "Anyway, that's enough. Read the book." He's pretty funny, Leon. I get the feeling he'd be fun to hang out with. He was itching to get to the just hang out part of the event, you could tell. Then someone asked why it took him so long to write this book. Leon replied that he realized that in all the other books on Jimi Hendrix out there, all the best quotes were his, so he decided to write his own book. "And it will be the last book on Jimi." Said firmly.


With that, the line formed to get books signed and take pictures and ask more questions. Through it all, and in looking him in the eye while talking, you can see how much pride and pain live in this man who so clearly loved - and loves - his brother.

I can't wait to read all these stories, especially now that I saw the heart of where they came from.


Smooth.

Wednesday, July 4, 2012

Freedom

The gospel truth about our Country in four and a half minutes.




Happy 4th of July, my People!

Happy 107th Birthday, Venice, even more my People!

Friday, July 2, 2010

Let Freedom Reign

Happy 4th Of July Weekend!

The Star Spangled Banner by Jimi at Woodstock the Original still packs the same wallop as it did 41 years ago ...



Did you hear the struggle, the triumph, the pain, the pride, the hope, the FREEDOM of it all in there?

The struggles continue, and so do the triumphs. The pain is in your face every single day - if you choose to focus on it. The pride and hope come through every single day as well - if you let it.

That guitar says it all far better than I ever could, so I'll bid you a Fireworks and Fun filled weekend with people you love, doing the things you love, and celebrating the good ol' U.S.A. we all love ... with Liberty and Justice for ALL.