Showing posts with label Tony Hawk. Show all posts
Showing posts with label Tony Hawk. Show all posts

Monday, September 17, 2018

Pathway To Paris - Patti Smith And Friends Sing For The Planet

I keep saying that none of the big issues facing our world today will even matter if we're no longer able to survive on this planet. When Trump pulled the U.S. out of the Paris Agreement, it was a huge - and super embarrassing - blow to the work so many good people are doing on behalf of our Earth, and now good people are taking matters into our own hands to try to keep it livable here a while longer ... if it's not already too late. Seriously.


There was a great concert last night put on my the fine folks at Pathway To Paris, a group co-founded by Jesse Paris Smith and Rebecca Foon, committed activists and eco-warriors doing everything they can to try to help. Smith is also the daughter of Patti Smith, so they've got a lot of musical friends who share their enthusiasm to save the world. Quite literally.


The evening at the lovely downtown Ace Hotel featured many action booths in the lobby, merch to support the cause, and drinks to sip while you mingled and talked about how bad we've screwed up this planet. Once seated, the show started with a video about what Pathway To Paris is about, and what they hope to accomplish. It reminded us that "Time is ticking - let's make change NOW." Because we actually don't have a choice. Patti Smith took the stage to well-deserved cheers, and I had chills from the outset. She recited a poem about the environment (beautifully backed on cello by Rebecca Foon), with a line perfectly describing the night - and the organization - "We arise to walk as one ... Nature gives us everything." The man seated next to me had his palms up and open, receiving, almost as if in prayer. I got it. I felt it too.

Jesse Paris Smith and Rebecca Foon came out to talk about Pathway To Paris, which they founded in 2014 after the Peoples' Climate March in New York City.  Their hope is that we can be using 100% renewable energy by 2040, emphasizing how urgent this crisis that affects us ALL really is. It always frustrates me when things are said like "By 2040" - that's over 20 years off. Why not NOW? Why not DEMAND it? I know it's all very complicated, but isn't our survival worth just changing it all NOW? Because it really is that serious - it's our basic SURVIVAL. They talked about the 1000 Cities Initiative, and getting cities to commit to renewable energy on their own, outside of this lousy administration. They told us about 350.org, who are working to reduce fossil fuel usage. But most of all, they inspired us. Imany ("All the way from Paris!") was a beautiful singer, who took her time getting on stage, and when she did, she said, "I'm sorry I was late, but I'm French." People laughed, knowingly, but gave her a pass, because Paris.  She did a cover of Whitney Houston's "I Wanna Dance With Somebody" and did her best to get people to sing along ("That was horrible. We're gonna do it again."). We did, and then Patti Smith came back on to introduce her friend, Flea.

Red Hot Chili Pepper's beloved bassist, Flea, took to the stage in a purple tie-dyed suit with a L.A. Lakers tee under it (Go Lakers!), and laid a typical funky Flea bass throw down on us, and also blew minds with his gorgeous trumpet playing. He's like a modern Miles Davis, for real. He shouted out to his daughter, Clara, who was celebrating her 30th birthday on this day. Flea is awesome.


Pro skater, Tony Hawk, came out to talk about how he met Dhani Harrison when he was a little skater and invited them all back to his house (Castle) to hang out with him ...  and his Dad (George Harrison. Beatle.) and Tom Petty, and I think even Bob Dylan was there.


That cemented a friendship, and Hawk introduced Harrison, who played a song called "Press Pause", I think, that had never been played live before. My Morning Jacket's Jim James joined him for this lovely tune, and then stayed up there for his own "Over And Over". People were loving it, and his line, "If you don't speak up, we can't hear it" especially resonated for this night of music and charity.

350.Org's Bill McKibben showed video from his summer vacation, that was spent in Greenland watching giant ice shelves melt into the sea ... raising water levels with every crash. "We will keep doing this until we win," he said, and had us all write postcards to Gavin Newsom, our likely new Governor of California (which Tony Hawk skated down the aisle writing to demonstrate). All of this was happening while North Carolina was under siege from Hurricane Florence, illustrating climate change in real time.


Jim James introduced Karen O. (Yeah Yeah Yeahs) who played a couple of numbers from the Where The Wild Things Are soundtrack that she did. "Worried Shoes" was lovely, but "Hideaway" seemed to my ears to be almost a direct ripoff of one of my very favorite tunes, Hendrix's "May This Be Love". Pretty, but I couldn't stop hearing Jimi. Still, happy that she was there in support of our world, and look forward to more of her original work.


Tenzin Choegyal was there from Australia (via Tibet) and brought a letter from the Dalai Lama for Jesse Paris Smith to read to us, and it was as lovely as you'd expect. It mentioned that when you see photos of Earth from space, there are no borders, just one blue planet. "It's in our interest to look out for it." Choegyal played his native instrument (whose name I don't know), and to me it was the musical highlight of the entire marathon show. SO beautiful - and unique, sounding like nothing else (except for a little bit like Eddie Vedder on his Into The Wild soundtrack). It was truly stunning, and then he had us all stand and make roofs with our arms over our heads, as "Tibet is the roof of the world, and the roof is leaking." He played a song called "Snowline" - "about elegantly leaving fear behind." His passionate playing and singing left a deep impression on everyone there, and the next artist - LUCINDA WILLIAMS - admitted to being in tears side-stage while observing Choegyal. "I just stood there and wept."  As were we in our seats.

We only got one song from Williams, but it was a new one, featuring just her wonderful voice and guitar, singing that "We've come too far to turn around." And in the climate's case - we HAVE to keep going in our struggle to protect it. Patti Smith returned to introduce her friend, Eric Burdon from The Animals. He took the stage in dark sunglasses at night (o.k.) and said, "Give it up for the Smiths! Great vibes here tonight!" Everyone cheered in agreement, and Burdon showed himself to still be in fine voice when he belted out Lead Belly's "In The Pines" (made real famous by Nirvana), backed by a ripping guitarist. It was dramatic, and his "Mother Earth" was a bluesy number accented by some excellent trombone. Good stuff.


Talib Kweli was next, and after a bunch of "Wave your hands in the air like you just don't care!" and "Make some noise!" requests, he got down to a version of The Beatles' "Eleanor Rigby" done rap style. Another one had Nina Simone samples, and then that was that for his set. It was just o.k. to my ears. But then Tony Hawk came back up to tell how he came to know Patti Smith, which was that his skate company (Birdhouse) was doing a video and his skater, Clive Dixon, asked for his part to have Patti Smith music. She had given him a guitar pick, and after repeatedly trying a Nollie trick that had never been done ("NBD"), he held up that pick and then DID IT. Magic. So Hawk (and everyone else) loves Patti Smith, and he introduced her by saying, "Please welcome one of our greatest musicians, Patti Smith!"

Huge applause again, and then Smith cracked everyone up by saying, "Greatest musician? I can't play a fucking thing!" She dedicated her first number to North Carolina, and she (and Flea on backing bass) gave us "Peaceable Kingdom", which ends with the line, "Maybe someday we'll be strong enough to build it back again." We can only hope. The wonderful "Dancing Barefoot" was next, and Smith dedicated it to Flea's daughter, Clara, for her birthday. How cool. Smith ended her set with "Pissing In A River", and when she sang the line, "Don't turn your back now, I'm talking to you," she added, "Write those fucking letters!" Right on.

Jesse Paris Smith and Rebecca Foon returned to give their thanks to everyone there and involved, and urged everyone to continue taking action. They then asked all the performing artists back on stage for the All Star finale, which was her mother's "People Have The Power", and there couldn't have been a more fitting song for the night - and the world at large right now. Everyone was up there belting it out, and Smith shouted "Use Your Voice!!" to end the absolutely inspiring and spurring to action evening of Pathway To Paris.


Please join their good work by writing your own letters, signing all the petitions, and CARING about your Mother Earth - it's the only one we have. Thank you.















Monday, September 22, 2014

A Jane's Addiction Weekend On The Sunset Strip

It was all about Jane's Addiction this last weekend in West Hollywood, as it was declared Jane's Addiction Day on September 19. The declaration was celebrated with a ceremony at the House Of Blues on the Sunset Strip, with the band receiving the Elmer Valentine Award for being one of the most awesome bands ever to grace the Strip ... where it all started.


After the red carpet shenanigans, friends and fans milled about inside drinking Jack Daniels (the sponsor of the weekend) and feeling the love for Jane's.


The band, friends and family assembled in the upstairs balcony of the House Of Blues, where they listened as various luminaries spoke about what Jane's Addiction meant to them. Skate legend Tony Hawk introduced the award, saying that back when he was touring around in a van, it was impossible for the guys to agree on a TAPE to listen to on the road ... the only one they ever agreed on was Nothing Shocking (which we were there to celebrate the 25th anniversary of). He went on to say that everyone credits Nirvana for changing music back in the 90's ... but really, it was Jane's Addiction. Truth.


Stryker came out to do the introductions, and Rodney Bingenheimer (both of KROQ fame) came out to swap Hollywood war stories with Perry Farrell. It was evident how much they mutually adore each other. There was a LOT of love in the room, for sure.


A tribute video of Jane's Addiction through the years screened, and it was great to watch Perry watching himself onscreen, talking about how badass The Doors and The Bad Brains were, and how it was all "Deep as fuck", and how he came up with Lollapalooza as, "I just want people to get out there and celebrate." Which we certainly have, enjoying his epic vision through the years. The Vice Mayor of West Hollywood then came out to present the band with a certificate proclaiming it Jane's Addiction Day, and the crowd loved it.


They loved it even more, however, when Farrell mused aloud that they couldn't very well have all these people there to honor them without giving them a song or two ... so they asked the night's band, Dead Sara, if they could borrow their equipment ... and they said yes. So that meant "Mountain Song"!


People went SO nuts, that then it also meant "Ain't No Right" from what Tony Hawk had called "The house band of the Sunset Strip."


The revelers were thrilled, upstairs and down, including the glamorous Mrs. Farrell.


Because it was unplanned (and already an unexpected treat), that was all for then. "We're happy to serve you, L.A.!" It was time to party.


The band and their guests celebrated upstairs until it was time to split and call it a night ... because the next day was the day Jane's Addiction was going to shut down Sunset Boulevard and play Nothing Shocking in its entirety. Again, where it all began...


The Sunset Strip Music Festival went on all day Saturday and Sunday, but all I really cared about was Juana's Addicion. I rode over to the festival with the Farrells, and as we approached the venue site, it was thrilling to see the entire Strip filled with throngs of Jane's fans, eagerly anticipating the show.


We got there almost right at showtime, so the golf carts sped off and soon the opening chords of "Up the Beach" rang out over West Hollywood. The excitement was palpable.


That gorgeous instrumental launched right into "Ocean Size" and the place just went off. OFF! People couldn't contain themselves, screaming and singing themselves along hoarse. Not a beat was skipped before "Had A Dad", "Ted, Just Admit It", and "Standing In The Shower...Thinking", and it was obvious that the band mates of 25+ years (and new-ish bassist, Chris Chaney) were FEELING it, as were the masses of hard-core Jane's Addiction fans, absolutely loving every note.


It was then that the opening began to one of my top five favorite songs of all-time, the glorious and majestic "Summertime Rolls". As we're winding down our own Summer here in L.A. (where, yes, it's endless, but still different than official Summer), it was the perfect song to sing along with, feeling so happy and great with thousands of friends that felt the same way. Dave Navarro gave it an extra bluesiness to his solo, lending a perfect air of wistfulness to the song that already embodies dreamy nostalgia. I love it so, so much. I was grinning ear to ear at this point, and I was not remotely alone.


That dream come true was followed right up by many peoples' all time favorite jam, "Mountain Song". You can see Foo Fighters drummer (and big Jane's Addiction fan), Taylor Hawkins, here in this little video, absolutely feeling the stoke you get every time from this monster of a song.


There was hardly a moment to catch our breath before they blasted into "Idiots Rule", which DID rule.


Then Perry told a story about how they got a little jaded a while back and didn't always want to play their big "Jane Says" hit ... but then thought about how he'd feel if he went to see Lou Reed and he hadn't played "Heroin", he'd have been bummed ... so back in went "Jane Says".


Thankfully, to judge from the reaction of the crowd, who happily sang along to every word of the steel-drum version that found the awesome Stephen Perkins and Chris Chaney joining Farrell and Navarro right up front.  In another nostalgic moment, Farrell said at song's end, "Oh, there was so much drugs back then ..." Yep.


When the fans went completely up into orbit after that one, Farrell thanked them, saying, "It's the greatest honor playing for people on the streets of Los Angeles, here is where we really shine... They didn't ever really appreciate us in New York, because they know we're not theirs. We're yours." Well, that's all the crowd needed to go even more crazy, which they absolutely did for "Pigs In Zen". And should have, because it was AWESOME.


There was a brief interlude while everyone screamed for more, which they got. Jane's came back and blasted everyone with the one-two punch of "Been Caught Stealing" and "Just Because". It was so rowdy and packed with ecstatic fans that it couldn't get much crazier. You thought.


Then for the real knock-out, Jane's brought out their suspension artists and dancers, meaning that for the  literal show-stopper of "Stop!", they had ladies swinging from rods pierced through their shoulder blades high above the stage, and hot dancers (including Etty Farrell) firing up the entire Strip.


The band was in rare form, and seemed like they could've played all night, and probably would have, were it not for that dang curfew.


As Farrell stated, "L.A. was always the place. We'd play just as hard for three people as we did for all of you. I'd fill a bus with people from Venice (!!!) and bring 'em all to the show...and tonight we shut down Sunset Boulevard! What a great night!"


So it was, that performers and fans beamed at each other, mutually thanking each other for the now many great years of music given and appreciated, no, LOVED, by so many.


To hear it live, in its entirety, on the Sunset Strip that may as well be a fifth band member, so steeped are the songs in its history ... well, it was just a night that anyone there will forget. Ever.


Backstage, it was both excellent and fitting that the Farrell children, Hezron and Izzadore, entertained themselves in the jam tent, making up their own beats and words. The family business is in good and capable hands, dear friends.


Dear friends. I'm so grateful to call the Farrell Family dear friends. After loving the music for so long, to be able to know, understand, and love this family is - to rip off the Jane's Addiction movie title - a true Gift.


Thank you for the music, the friendship, and the creativity that goes into every aspect of the Jane's Addiction/Farrell/Lollapalooza worlds ... it has factually made the world such a better place. A better place to celebrate ... just like Farrell envisioned.


Happy 25 years, Jane's Addiction!!! It feels as great as it ever did.


*SSMF awesome photos by www.PaulGronner.com

Friday, August 29, 2014

The 4th Annual Surf And Skate Auction For Venice Family Clinic - A Very Favorite Event

The Fourth Annual Surf and Skate Auction for the Venice Family Clinic was held last night at the Robert Berman Gallery at Bergamot Station. It is one of my very favorite local events of the year, so cool and creative, and all for the very worthwhile cause of helping to give medical care to our Venice families that need help.

 It was a gorgeous, balmy night in Santa Monica, so there was a great turn-out of people, all in that endless summer kind of mode. The indigo skies and the sliver of a silver moon set the scene for good times and generous hearts.



Artists, skaters, surfers, and artist/skaters/surfers donated their works of art on surfboards and skate decks, and one was cooler than the next.


My brother, Paul Gronner, had a skate deck in the auction, and it was fun to hear him talk about his art with some collectors, explaining his methods and making new friends. It was wonderful to see old friends too, like contributing artists Neil Carver and Jennifer Wolf (and their fresh boards).


Elwood "Woody" Risk had a surfboard and a skate deck in the auction, and I was happy to finally meet him in person after admiring his work for some time.


There were boards from everyone from Tesla Motors to Tony Hawk ... though the art on the pro decks was from the factory, and just had autographs as their original art. Cool still, but cooler if those guys really did some original art ... and it would fetch more funds for the clinic. None of those boards had any bids on them by the time I left, so ... get creative, Pros!


Lots of the works were great because they were so OF the area ... like the Dogtown and Santa Monica Airlines ones ...


Like the ones featuring beach scenes and local sights ...


Even though these are all meant for the walls, not the water.


As the sun set, it got more packed, inside and out. It was boiling hot in the gallery, so you had to take periodic breaks to get fresh air and/or a cold beer. Folks mingled around, artists and skaters like Ed Moses and Jeff Ho were checking out the scene, where you could ham it up for a photo booth or get trucker hats screen-printed by Volcom.


There is a lot of imagination at play with these works, like the deck covered in foliage from Big Red Sun, next to an image of Gene Simmons shredding a bowl in the full Kiss get-up (probably photo-shopped).


In my own bidding, I was torn between the very cool (and close to my heart) Venice Beach one by Jeffrey Manpearl that he somehow cut out of steel ...


... and the one I wound up winning, that I'm so thrilled about, the beautiful deck by Sephira Salazar. She photographed these indigenous people in Peru that gather the sacred water (I need to hear the story again ...) and painted brightly around it, and then there's a little shelf in the front for a candle. I cannot wait to hang this lovely piece in my house and love it every day, even more so knowing that it helped a little bit to help someone out.


The surfboards were all gorgeous, and people were lining up to be photographed next to them all evening long.


It was one of those nights when there are just too many things going on at once, and I had to cut out of there before the band played or the auction and raffle ended. It wasn't easy to get out of there, though, because every time you turned around, you saw another cool person you hadn't seen in a while and had to catch up quick. That's what I like so much about this event every year, it's all very community-minded, and everyone's cool.



Perhaps none cooler than these two little dudes, looking at the art and looking out for each other.


The next generation of skater, surfers and art lovers taking it all in ... you could almost see their own ideas formulating under their little caps. I can't wait to bid on what they come up with at maybe the 24th Annual Surf and Skate Auction ...

Put this great opening on your seasonal list of things to do, it never disappoints, and really helps the Venice Family Clinic a lot. And until next year's auction comes around ... Surf, skate and make art!